<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Philosophy of Art on emptyname</title><link>https://emptyname.org/tags/philosophy-of-art/</link><description>Recent content in Philosophy of Art on emptyname</description><generator>Hugo</generator><language>en-US</language><lastBuildDate>Thu, 11 Jun 2026 00:00:00 +0000</lastBuildDate><atom:link href="https://emptyname.org/tags/philosophy-of-art/index.xml" rel="self" type="application/rss+xml"/><item><title>When Machines Make Better Art</title><link>https://emptyname.org/when-machines-make-better-art/</link><pubDate>Thu, 11 Jun 2026 00:00:00 +0000</pubDate><guid>https://emptyname.org/when-machines-make-better-art/</guid><description>&lt;p&gt;&lt;em&gt;Notes on the return of art to its original function&lt;/em&gt;&lt;/p&gt;
&lt;h4 id="i"&gt;I.&lt;a class="hanchor" href="#i" aria-label="Link to this section"&gt;§&lt;/a&gt;&lt;/h4&gt;
&lt;p&gt;The premise no longer takes much daring: machines will come to make better art than humans - more skilled, more inventive, more conceptually agile, endlessly, and for nothing. A persona, sometimes offered as a consolation, comes apart under scrutiny: as an intellectual construct - a voice, a biography-shaped narrative, a style signature - it can be run by a machine more steadily than a person could ever sustain their own. The skill is long gone. The novelty is going, and the recognition and the money might follow. What remains is not a faculty artists have and machines lack. It's stranger than that, something the artists have been standing on the whole time without looking down.&lt;/p&gt;</description></item><item><title>Music in the Arts</title><link>https://emptyname.org/music-in-the-arts/</link><pubDate>Tue, 28 Nov 2023 20:47:29 +0000</pubDate><guid>https://emptyname.org/music-in-the-arts/</guid><description>&lt;p&gt;When we speak of 'art' today, we should be aware of the ambiguity that this term drags along. This idea is pivotal - the word 'art', as it echoes in our contemporary discourse, is a deceptive homonym hinting at divergent conceptions. Indeed, there are multiple facets to this concept, but let's not lose ourselves in this labyrinth. We'll focus on the two primary ones.&lt;/p&gt;</description></item><item><title>Generative NFT Artist Manifesto</title><link>https://emptyname.org/generative-nft-artist-manifesto/</link><pubDate>Mon, 09 Oct 2023 00:00:00 +0000</pubDate><guid>https://emptyname.org/generative-nft-artist-manifesto/</guid><description>&lt;h4 id="generative-nft-artists-manifest-through-nfts-without-nfts-digital-art-is-in-a-primordial-state"&gt;Generative NFT Artists manifest through NFTs. Without NFTs digital art is in a primordial state.&lt;a class="hanchor" href="#generative-nft-artists-manifest-through-nfts-without-nfts-digital-art-is-in-a-primordial-state" aria-label="Link to this section"&gt;§&lt;/a&gt;&lt;/h4&gt;
&lt;p&gt;Without NFTs, the digital artist is but a mere shadow, crafting ephemeral art pieces that vanish before gaining form - like sandcastles against the relentless tide. It is the NFT that crystallizes digital art existence, transforming the binary landscape from a barren void into a crucible of endless potential. NFT enables digital artwork, transcending it from transitory to sculpt within the infinite.&lt;/p&gt;</description></item><item><title>Cage-Duchamp-Cage</title><link>https://emptyname.org/cage-duchamp-cage/</link><pubDate>Fri, 15 Oct 2021 00:00:00 +0000</pubDate><guid>https://emptyname.org/cage-duchamp-cage/</guid><description>&lt;p&gt;Set against the backdrop of John Cage's composition, this audio collage features Marcel Duchamp discussing his ego-driven intention to 'kill art.' It then transitions to John Cage, who advocates for creating art free of the artist's ego, focusing on its removal from the process.&lt;/p&gt;</description></item></channel></rss>