The stencil saves a shape, it doesn't save the moment.
This work builds a small, dirty test machine where repeatable structures become variable bodies and where absence acts.
If machines can supply artistic excellence on demand, quality no longer tells us what produced a work or why.
The tree, algorithmically born, gains meaning only under the scrutiny of the viewer, its binary roots sprawl not in soil, but in the mindscape where the observer's eye grafts meaning onto inert pixels.
Without NFTs, the digital artist is but a mere shadow, crafting ephemeral art pieces that vanish before gaining form - like sandcastles against the relentless tide.
A painting made to be read as a graphical musical score by two performers - its visual elements and colours interpreted and translated into sound.
An essay on the ambiguity of the word 'art' - from the older pantheon of the arts to the modern mono-art and the conceptual turn.
A series of paintings made with fragments of broken umbrellas and iron filings that rust into the paint over time - the oxidation itself completing the work.
A research project questioning the roles of composer and performer: graphical river scores (Danube, Nile, Ganges, Los Angeles) realised as recorded compositions.
An audio collage set against John Cage's composition, with Marcel Duchamp on devaluing art as object - an essay on art's swing between the aesthetic and conceptual regimes.
A video work on isolation, stillness and motion - the spatial confusion and loss of bodily presence when life happens at zero miles per hour.
emptyname